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・ Georg Antholzer
・ Georg Anton Friedrich Ast
・ Georg Anton Rollett
・ Georg Anton Schäffer
・ Georg Anton Urlaub
・ Georg Anton von Rodenstein
・ Georg Apenes
・ Georg Arnold
・ Georg Arnold-Graboné
・ Georg Audenrieth
・ Georg August Goldfuss
・ Georg August Griesinger
・ Georg August Pritzel
・ Georg August Rudolph
・ Georg August Schweinfurth
Georg August Stahl
・ Georg August Thilesen
・ Georg August Wallin
・ Georg August Zinn
・ Georg Ay
・ Georg Bachmann
・ Georg Bachmayer
・ Georg Balthasar Metzger
・ Georg Baresch
・ Georg Barfuß
・ Georg Baring
・ Georg Bartisch
・ Georg Baselitz
・ Georg Baumann
・ Georg Baur


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Georg August Stahl : ウィキペディア英語版
Georg August Stahl

Georg August Stahl (1903–1981) Born in 1903 in Kassel in the State of Hessen, Germany, Stahl began drawing and working in water colors at the age of seventeen. He received his formal training at the Academy of Fine Arts in Kassel on a scholarship, with an emphasis on wood cuts. The expressionistic character of this earliest work, bearing a certain reminiscence of German Expressionism of the twenties, could be expected given the importance of the medium in German art of that period. Reminiscent only, for the work shows already an unusual independence, a directness and clarity whereas his watercolors manifest a natural harmony in composition and subtlety in color.
==Early life (1930-1945)==
Stahl emigrated to the Netherlands in 1930 because of his active political involvement against the rapidly growing power of the National Socialists and their threatening to ban his work. He found immediate acceptance in progressive art circles in Rotterdam and later in Amsterdam. Extreme material hardship and the threat of war by the now well established Nazi regime not only affected his artistic development, but forced him int hiding after the German occupation of the Netherlands in 1940, that consequently led to a virtual standstill in his work. He was discovered and forcefully drafted into German army in 1943. He deserted to the Allied Forces half a year later during the invasion of Normandie and was a prisoner of war of the British Army until 1947 when he returned to the Netherlands. During his stay in England he was allowed to paint and travel to the Lake District for studies.

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